Sinead mugshot

Global
Executive Creative Director

(UK/EU citizen | US O1B Agent work visa)

I hate ads. In fact, most people do. Half of us actively avoid them, and among Gen Z, 69% use adblockers.

I love ads. Rather, I love advertising that doesn’t look like an ad. Advertising that is pure entertainment. Or has been reimagined as a computer game, wearable tech, a sporting event or a TV series. Advertising that connects with fans in the culture they love. With Gen AI,, new media and cool tech at our disposal, we are entering a brave new world of experimentation and engagement. That’s where I like to play.

Over the past 20 years, most recently as EVP, Executive Creative Director at McCann Worldgroup New York, I have launched and scaled global brands like Reckitt, Johnson & Johnson, American Express, HSBC, Dove, Avon, L’Oréal, Kellogg's, Subway, KFC, and Coke, to name just a few. And I’ve led large multidisciplinary teams across the US, UK, Brazil and APAC.

My love/hate relationship with advertising has driven me to create campaigns that resonate within culture, spanning music videos, feature documentaries, virtual reality social protests, and even a bra made from skin-like fabric. My work has won over 80 global creative and effectiveness awards, including two Grand Prix for the I Touch Myself Project, which was ranked the 7th most awarded campaign in the world according to the Gunn Report (WARC Rankings).

I have served on juries for Cannes Lions, New York Festivals, CLIO, LIA, Young Lions and Gerety, have been a guest lecturer, spoken at talkfests, chatted on podcasts, coached with LIAisons twice over and advised CEOs and boards of nonprofits and start-ups.

I hold postgraduate degrees in creative writing and graphic design, as well as a PhD in communications.

My full bio can be found here: LinkedIn

Press
The Stable: What would have made 2019 better?
The Stable: It's our job to shake up the status quo
AdNews: Aussies make noise in Cannes
Campaign Brief: Spotlight on women creatives
Mumbrella: What's more important: the message or the emotion?
AdAge: Top creatives predict what will happen at Cannes
Adnews: Creative focus, creative revolt

Education
PhD, Faculty of Arts + Sciences, University of Technology
Master of Creative Arts (Research), University of Technology
Master of Arts (Writing), University of Technology
Master of Fine Arts, University of New South Wales
Graduate Diploma in Visual Communication (Design), University of Technology
Bachelor of Arts, Sydney College the Arts, Sydney University